Monday, March 7, 2016

Monday's Links to Writing & Marketing Blog Posts

By: Katherine O’Chee

First impressions are crucial to any reader's decision. First impressions decide whether or not your readers want to be pulled into the world of your narrative. This makes the exposition of any novel or short story particularly important.

If your narrative borders on bland, clich├ęd and uninteresting, readers will soon lose interest. Indeed, it's upon reading the initial page or two of your narrative that they'll determine whether they want to close the book or carry on reading.

Therefore, it's essential for you to develop a strong 'hook' — one that grips onto the reader so tightly,  they simply can't let go of your narrative upon reading the first paragraph, and second, and third.

Here are seven tips on how you can create a powerful 'hook' that'll leave your readers with one thought and one thought only: I must keep on reading, I must find out more.



One of the key steps to take before you can effectively 'hook' your reader into your narrative is to determine who this reader is. In other words, who is the target audience for your novel or short story? In the early phases of planning and writing, this can be a particularly difficult question to answer.

The Advanced Fiction Writing website advises that you distinguish between your General Target Audience, those interested in your fiction or genre as a whole, and your Specific Target Audience, those interested in your narrative in particular.

The former is generally determined according to the genre and voice that interest your target readers, the latter according to demographic information including age, gender, income levels and political standpoints. That being said, sometimes your target audience could be as simple as “anyone who would like your book cover”.

Keep in mind that your book shouldn’t aim to appeal to everyone. Rather, write with one specific type of reader in mind. After all, only when you have a concrete picture of the reader in your head, are you able to better mould the style, context and composition of your narrative accordingly.


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If you missed my latest writing and marketing tweets, here they are again:
  • Why You Should Join All Social Media Networks
  • Seriously Write: Encouraging Efficiency by Melinda Viergever Inman
  • Why you should spend your first 30 minutes writing | Publication Coach
  • Determined to Meet Your Writing Goals? Set Up a Production Schedule
  • How to Fall in Love with Writing All Over Again | Aliventures
  • 5 Reasons Why You Should Take a Nap Every Day
  • Do I Really Have to Include a Mailing Address in My Newsletter?
  • 7 Clever Steps To Hook Your Reader Into Your Narrative - Writer's Edit\
  • Everything You Need to Know About The Latest Twitter Features (And Some Thoughts on Its Future) - The Buffer Blog
  • Fiction University: To Hire Help Or Do It Yourself
  • The New Way to Write Your Life Story: The 10 Themes of Legacy Writing |
  • Managing the Passage of Time in Fiction - Marcy Kennedy
  • Beginning Marketing Strategies for Authors - CKSyme Media Group
  • All You Need To Know About Punctuating And Formatting Dialogue - Writers Write
  • The Writing Hole - Writing: Creating Your Main Character
  • How to be more creative - it's surprisingly simple | The Passive Voice |
  • Good Books Are About Problems
  • How Targeting Genre Can Make the Difference in Your Writing Career | Live Write Thrive
  • 4 Mindsets That Could Doom Your Social Media Marketing Efforts | Digital Book World
  • Getting the Pacing Right - WRITERS HELPING WRITERS™
Happy writing and running, Kathy

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