By: Roz Morris
I was editing a manuscript recently and came across a number of scenes that were summarised instead of shown in detail. In some cases this was a good call, but others made me wonder.
Why? Because they looked like they had the potential to be significant.
I’m not going to tell you the true details, of course, so this is a paraphrase. Broadly speaking, the characters have formed a new business venture. If it succeeds, it gives the narrator a new start in life. Also there’s a romance that will be threatened, because the girlfriend wants to settle somewhere else. The business makes this more tricky. Yet the writer summarised this period of preparation and change.
It’s fair enough to fast forward if there was nothing interesting to show. But during those hours, the characters are playing unfamiliar roles, and getting closer to their hopes and dreams. Relationships will change because of the responsibilities. Tensions will be growing. I said to my client: are you sure there is nothing interesting in these scenes? Do you really want to leave them out? To me, they’re gaps in the narrative.
Mea culpa . . .
Read the full article HERE!
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