Wednesday, January 21, 2015

Wednesday's Links to Writing & Marketing Blog Posts


By: Shaunta Grimes

Last week, I introduced you to the 3-act, 8-sequence story structure. The three acts are, basically, your beginning, middle, and end. The middle is much larger than the beginning and end, so Act II is divided into two parts. When you divide each of those three (but really, four) acts in half, you get eight sequences.

ACT I

Just about every novel starts out by letting the reader into the main character’s (MC) normal world. If you’re writing a contemporary story with a contemporary situation, then you won’t need a whole lot of world building in Act I. If you’re writing science fiction or fantasy, you’ll probably need quite a lot more.

By the end of sequence one, the reader should know and identify with the MC. At the end of this sequence is also generally when the inciting incident happens (although it can happen earlier.) Remember, the inciting incident is the first really unusual thing that happens to the MC. Unusual for his world, not yours or mine.

In sequence two, the MC deals with the inciting incident. They process it. Remember, the inciting incident is a question: do you want into this story. The answer might be no at first. That’s often called the refusal of the call. It might be no a bunch of times. It might an immediate, knee jerk yes (think about Katniss volunteering as tribute in The Hunger Games.) Eventually, the MC will get to yes, somehow. Even if it’s coerced or not really their choice. How they get to that yes is your second sequence.

The second sequence usually ends with the lock-in–the answer to the question of the inciting incident. As I’ve said, that answer will be yes somehow.

In Act I, your MC might also meet a mentor. This would be someone that will help the MC get to the yes of the lock-in, and also help throughout the story. Examples of mentors are Hagrid in Harry Potter, Haymitch in The Hunger Games, and Gandolf in The Hobbit. You might also introduce the reader to some of the MCs allies and enemies. This about Harry Potter meeting Ron and Hermione on the train, or Dorothy meeting her friends on the yellow brick road.

Your MC might have their first test–something to test their resolve not  to accept the call to action of the inciting incident.

ACT II-1

In the first part of Act II, your MC is just starting away from their real world and into the special world of the story.

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Read the full article HERE!
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If you missed my writing & marketing tweets and retweets yesterday, here they are again:
  1. What Milestones Do You Watch for? | Jami Gold, Paranormal Author http://ow.ly/HDna3
  2. Peter Morwood, Gun Safeties for Writers, or, does the gun even... http://ow.ly/HDngu
  3. How to Write a Novel (3 Acts and 8 Sequences) http://ow.ly/HDo0l
  4. Hero's journey http://ow.ly/HDosp The Hero's Journey Outline
  5. 5 Mistakes to Avoid If You Want to Be a Successful Author http://ow.ly/HDunN
  6. Make a Living Writing: 105 Ways to Make Money Writing http://ow.ly/HDuXv
  7. The Ultimate Copy Checklist: 51 Questions to Optimize Every Element of Your Online Copy [Free Poster] - Copyblogger http://ow.ly/HDvkJ
  8. How to Get Dreams Out of Your Head [And a Video of Me Wearing Tights] : @ProBlogger http://ow.ly/HDvCY
  9. Grammar Girl : When to Use a Comma Before 'Because' :: Quick and Dirty Tips ™ http://ow.ly/HDvZy
  10. How A Series Can Skyrocket Your Career with Geri Krotow | Romance University http://ow.ly/HDztN
  11. How Dreams and Habits Make You a Wildly Productive Writer http://ow.ly/HDzYE
  12. Having a Case of Self Pub Remorse? | Behler Blog http://ow.ly/HDAb1
  13. Business Musings: What Traditional Publishing Learned in 2014 | Kristine Kathryn Rusch http://ow.ly/HDAtJ
  14. Strange Ink: On rejection, revision, and deciding not to http://ow.ly/HDAM3
  15. My Favorite Digital Tools in 2014 | Jane Friedman http://ow.ly/HDB0B
  16. Like Pushing an Elephant Into a Volkswagen - The Morning News http://ow.ly/HDBnP "Writers who haven’t quit their day jobs..."
  17. Writer Unboxed » How To Become a Writer http://ow.ly/HDBG3 "Change is hard, even good change..."
  18. Non-fiction books everyone should read – infographic | Books | The Guardian http://ow.ly/HDCrN
  19. Fiction University: Weaving Social Narratives Beyond the Page http://ow.ly/HDDqp
  20. What Agents, Editors and Art Directors Look For Online - Guide For Kidlit/YA Writers & Artists - http://ow.ly/HDE5P
  21. Digital Book World surveys authors - 'Risks, Rewards, Commitment' | The Bookseller http://ow.ly/HDEjh
  22. What Drives a Story: Plot or Characters? | Jami Gold, Paranormal Author http://ow.ly/HDFSX
Happy writing and running, Kathy 

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